Toutes peintures à l'huile d'Gerard Ter Borch

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30940

A Boy Caching Fleas on His Dog

mk68 c.1665

96831

A fiandeira

oil on panel Dimensions 31 X 28 cm cyf

41040

A Glass of Lemonade

mk159 1663-64 Oil on cnavas,transferred from panel 67x54cm

112

A Violinist

The Hermitage, St Petersburg

28494

A Violinist

mk60 Oil on panel 11 1/2x9"

43202

A Woman Playing a Theorbo to Two Men

mk170 1667-1668 Oil on canvas 67.6x57.8cm

118

An Officer Making his Bow to a Lady

1662 Polesden Lacey, Surrey

80919

Apfelschalerin

Date 1660s Medium color on canvas mounted on wood Dimensions 36,3 x 30,7 cm cjr

78434

Borch

by 1867(1867): Thomas Jefferson Bryan, New York cyf

30590

Boy Catching Fleas on His Dog

mk68 Oil on canvas 13 3/4x10 1/2 Munich Alte Pinakothek c.1665 Netherlands

71701

Charles-Maurice de talleyrand-perigord

1790 se

120

Curiosity

1660 Metropolitan Museum of Art, New York

40497

Dancing Couple

mk156 166 Oil on canvas 76x68cm

64278

man in black, c

1673 paris, louvre

75762

Memorial Portrait of Moses ter Borch.

1667 - 1669 Oil on canvas 76.2 ?? 56.5 cm (30 ?? 22.2 in) cjr

64335

mme barbier- walbonne

1796. paris, louvre

115

Paternal Advice

1654-55 Rijksmuseum, Amsterdam

64336

portrait of alady

1806 nancy, museum

26847

Portrait of the Artist

mk52 c.1668-70 Oil on canvas 61x42.5cm Mauritshuis,The Hague

32567

Recreation by our Gallery

mk79 About 1650

111

Soldier Offering a Young Woman Coins

1662-63 Musee du Louvre, Paris

114

The Dispatch

1658-59 Philadelphia Museum of Art

28496

The Galass of Lemonade

mk60 Oil on canvas transferred 26x21"

58272

The letter by Gerard ter Borch

The letter by Gerard ter Borch (c.1655) Oil on panel, 56 x 46,5 cm. Alte Pinakothek, Munich

117

The Letter_a

1660 Detroit Institute of Arts

20608

The Military Admirer (mk05)

Canvas 27 x 21 1/2''(68 x 55 cm)Collection of Louis XVI acquired in 1785

113

The Reading Lesson

Musee du Louvre, Paris

20615

The Reading Lesson (mk05)

Wood 10 1/2 x 10''(27 x 25 cm)Bequest of Dr.Louis La Caze 1869

116

Woman Drinking with a Sleeping Soldier

early 1660's

39684

Woman peeling an apple

mk150 c.1661 Canvas on panel 36.3x30.7cm

121

Woman Peeling Apples

1660 Art History Museum, Vienna

Gerard Ter Borch

1617-1681 Dutch Gerard Ter Borch Locations Gerard Ter Borch was born in Zwolle. His first teacher was his father, Gerard Ter Borch the Elder, who in his youth had spent some years in Rome and returned with drawings he had made as well as some he had collected in Italy. The son precociously revealed his gifts as a draftsman, as shown in his drawing of a man on horseback (1625). Ter Borch traveled widely. In 1634 he was in Haarlem, in 1635 in London, in 1640 probably in Rome. A visit to Spain is reflected in reminiscences of Diego Velazquez in the style and psychological penetration of Ter Borch s portraits. His famous portrait Helena van der Schalke as a Child (ca. 1644) calls to mind Velazquez s Infantas; the placement of the figure in palpable yet undefined space, without the indication of a floor line, is a masterful adoption of the Spanish masters invention. Between 1645 and 1648 Ter Borch was in Munster, Germany, where he went to seek portrait commissions during the meetings that ended the 80 years of war between the United Provinces and Spain. His small group portrait Swearing of the Oath of Ratification of the Treaty of Munster is a rare example in Dutch 17th-century painting of the recording of an actual historical event. It includes more than 50 recognizable portraits. The painter asked for this work the enormous price of 6, 000 guilders. Apparently no buyer was found, for the picture was in the hands of his widow after his death. From 1654 on Ter Borch lived mainly in Deventer, where he married, became a citizen, held honorary office, and died on Dec. 8, 1681. Ter Borch s early paintings were mainly scenes of military life, painted with great subtlety of color and values. Later he showed a predilection for small, dainty interior scenes, in which he revealed his delight in the sheen of satin and the grace of charming women. The elegance of his figures has tended to obscure the fact that in many cases they are shown as participants in situations of amatory commerce. The figures and costumes are painted with care and high finish that is not matched in the settings and backgrounds, which are often not well realized. The Music Lesson (ca. 1675) is a characteristic late example of Ter Borchs favorite subject matter. His most able pupil, Caspar Netscher, became a successful portraitist in the small-scale and fashionable tradition of his master.

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